The Bead Spill: My Horrifying Initiation!

Warren Feld
10 min readApr 16, 2020

--

QUESTION:
What was your initiation into that phenomenon called “Bead Spill”?

This was mine..

“Yikes!” she screamed, shaking the ground, the store, the parking lot, in fact, the whole wide world, and I was, to everyone’s regret, caught in that earth-shattering scream. I was carefully balancing twelve trays of loose beads, moving them to their new shelves when, behind my back, I heard that cry for help, that screech of fear, that siren of bead hell.

I instinctively turned. It wasn’t something I thought out and planned rationally. It wasn’t something that arose intuitively from my gut. It was pure animal instinct. Stimulus-Response. Lust. Fear. Gluttony. Raw Emotion. I tried to juggle the twelve trays as they fled my nurturing hands and arms.

And I urgently called to the beads. Which had been in the trays. Which were now flying out of my hands.

As if to calm them, I said, “Beads, you won’t fall.” You won’t get hurt. You won’t leave the safety and sanctity of these trays. Good beads. Good, good beads.

And, for a brief moment, I thought I had saved all these little, little, beautiful, beautiful, very round, very round beads from a fate almost worse than death. The trays were juggling and for a moment, I believed they had started to re-stack themselves. They were home free. One back on top of another on top of another….

If it weren’t for that scream and that deep primal instinct ripping my fear and anxiety from the depths of my soul, and the fact that it is hard to pivot wearing sneakers on a hard wood floor, juggle twelve trays of ever-more terrified loose glass beads, and respond to a lady in distress, the situation would have come to a pleasant end.

But alas, that was not to be.

With some shame, some guilt, much surprise and yes, a lot of embarrassment, this was to be my grand initiation into the phenomenon commonly known as The Bead Spill. What a mess!

I know a lot of people have a fantasy where they are bathing in a tub of beads. It’s sensuous. Caressing. You’re at one with the God of the Beads.

This wasn’t like that. This was thousands of round objects falling and running and spreading every which way. Along the walls, behind the legs of chairs and tables, under people’s feet. In with the dust, the dog hairs, and previously spilled beads or beads that had mysteriously escaped their trays.

She should have whispered, “Shoo Fly!”

Not screamed “Yikes!”.

YIKES!

I’ve never carried twelve trays of loose beads at once again.

Bead spills are not rare occurrences. In fact, some people spill beads like other people drink water.

There are the people who like to carry big purses in small places. These people are prone to sudden turns and distractions. Guaranteed spills!

These people need to understand the interrelationships between space, lack of space and time. Simple physics. Bead spills have physics, and I’m sure could easily be considered a science. Like, if you drop a bead, in what direction does it go? How far does it go? How fast does it travel? Do red beads behave similarly as blue beads? If someone dropped you from the top of a building, would you end up going in the same direction, and as far? Probably not.

So what is it about beads that makes things happen like dropping them off to the right, and finding them off to the left? Bead spills do not have the same physics as pick-up-sticks. That is for sure. They have laws of gravity and mass and energy all of their own.

Then there are the people who are torn between their love of beads and their love for their pets. It doesn’t matter if it’s a cat, a dog, a parrot or a fish. Beads spill. It could be a monkey or a ferret or even a Rogue Elephant. Beads spill. Sometimes it’s a dog AND a cat or a parrot AND a ferret. Beads spill.

People need to understand that animals understand the situation. Animals do not want to share their love — especially with beads. Beads are beautiful, but don’t need water or food. Beads are comforting to touch, but don’t need grooming. Beads are glorious in their splendor, but will not bite. It should come, then, as no surprise, that animals, when near any pile of beads, will instinctively have the urge to make them spill in ways you never thought of. Animals spill beads, but for more selfish reasons than humans.

The strategies of animals are legend, and have been written down in a secret book — Bead Spill Techniques for Dogs and Cats. You’ve seen these techniques in practice. Your cat angling for attention, moves toward you to sit in your lap — of course, moves toward you over your tray of beads. Your dog taking the pose to beg for treats while you’re moving your tray of beads from one end of the table to the other. Your pet actually eating those particular beads you’re working with right now. You catch them, but suddenly their tail goes swoof, and you are down on your hands and knees again picking up millions and millions of tiny, very small, eye-straining beads.

These animal-based-skills are very practiced and endless. Animals do not like playing second fiddle to beads. And if the pile of beads has been organized to accommodate the needs of a particular project, well, so much the better. They score more bead spill points.

Picking up spilled beads is a familiar routine. There’s nothing like dropping 14KT gold delica seed beads onto a gold shag carpet, getting on your hands and knees, and delving into product reclamation. Picking up bead spills works better when set to jazzercise music, but no music will suffice as well. Some people get crafty, and stretch a nylon stocking across the intake collection valve of a vacuum cleaner. Other people, however, are just plain tired of picking up beads. They let them stay where they fall. On the floors. In the couches. In clothing, in boxes, in food, in pots and pans.

New beaders seem especially concerned and anal-compulsive about spilled beads. They spot an errant bead, and rush to pick it up and place it in a container somewhere. Seasoned beaders have learned to live with such minor nuisances as combing beads out of their hair.

They see a bead on the floor, and let it lay.

Other Articles of Interest by Warren Feld:

Do You Know Where Your Beading Needles Are?

Consignment Selling: A Last Resort

Odds or Evens? What’s Your Preference?

My Clasp, My Clasp, My Kingdom For A Clasp

Why Am I So Addicted To Beads?

The Bead Spill: My Horrifying Initiation

The Artists At The Party

How To Bead A Rogue Elephant

You Can Never Have Enough Containers For Your Stuff

Beading While Traveling On A Plane

Contemplative Ode To A Bead

How To Bead In A Car

My Aunt Gert: Illustrating Some Lessons In Business Smarts

A Jewelry Designer’s Day Dream

A Dog’s Life by Lily

I Make All The Mistakes In The Book

How Sparkle Enters People’s Lives

Upstairs, Downstairs At The Bead Store

Beads and Race

Were The Ways of Women or of Men Better At Fostering How To Make Jewelry

Women and Their Husbands When Shopping For Beads

Women Making Choices In The Pursuit Of Fashion

Existing As A Jewelry Designer: What Befuddlement!

The Bridesmaid Bracelets

How To Design An Ugly Necklace: The Ultimate Designer Challenge

I hope you found this article useful. Be sure to click the CLAP HANDS icon at the bottom of this article.

Also, check out my website (www.warrenfeldjewelry.com).

Subscribe to my Learn To Bead blog (https://blog.landofodds.com).

Visit Land of Odds online (https://www.landofodds.com)for all your jewelry making supplies, including beads, to spill or not.

Enroll in my jewelry design and business of craft video tutorials online.

Add your name to my email list.

__________________________________

CONQUERING THE CREATIVE MARKETPLACE: Between the Fickleness of Business and the Pursuit of Design

How dreams are made
between the fickleness of business
and the pursuit of jewelry design

This guidebook is a must-have for anyone serious about making money selling jewelry. I focus on straightforward, workable strategies for integrating business practices with the creative design process. These strategies make balancing your creative self with your productive self easier and more fluid.

Based both on the creation and development of my own jewelry design business, as well as teaching countless students over the past 35+ years about business and craft, I address what should be some of your key concerns and uncertainties. I help you plan your road map.

Whether you are a hobbyist or a self-supporting business, success as a jewelry designer involves many things to think about, know and do. I share with you the kinds of things it takes to start your own jewelry business, run it, anticipate risks and rewards, and lead it to a level of success you feel is right for you, including

· Getting Started: Naming business, identifying resources, protecting intellectual property

· Financial Management: basic accounting, break even analysis, understanding risk-reward-return on investment, inventory management

· Product Development: identifying target market, specifying product attributes, developing jewelry line, production, distribution, pricing, launching

· Marketing, Promoting, Branding: competitor analysis, developing message, establishing emotional connections to your products, social media marketing

· Selling: linking product to buyer among many venues, such as store, department store, online, trunk show, home show, trade show, sales reps and showrooms, catalogs, TV shopping, galleries, advertising, cold calling, making the pitch

· Resiliency: building business, professional and psychological resiliency

· Professional Responsibilities: preparing artist statement, portfolio, look book, resume, biographical sketch, profile, FAQ, self-care

548pp.

Kindle, Print, Epub

SO YOU WANT TO BE A JEWELRY DESIGNER
Merging Your Voice With Form

So You Want To Be A Jewelry Designer reinterprets how to apply techniques and modify art theories from the Jewelry Designer’s perspective. To go beyond craft, the jewelry designer needs to become literate in this discipline called Jewelry Design. Literacy means understanding how to answer the question: Why do some pieces of jewelry draw your attention, and others do not? How to develop the authentic, creative self, someone who is fluent, flexible and original. How to gain the necessary design skills and be able to apply them, whether the situation is familiar or not.

588pp, many images and diagrams Ebook , Kindle or Print formats

The Jewelry Journey Podcast
“Building Jewelry That Works: Why Jewelry Design Is Like Architecture”
Podcast, Part 1
Podcast, Part 2

PEARL KNOTTING…Warren’s Way
Easy. Simple. No tools. Anyone Can Do!

I developed a nontraditional technique which does not use tools because I found tools get in the way of tying good and well-positioned knots. I decided to bring two cords through the bead to minimize any negative effects resulting from the pearl rotating around the cord. I only have you glue one knot in the piece. I use a simple overhand knot which is easily centered. I developed a rule for choosing the thickness of your bead cord. I lay out different steps for starting and ending a piece, based on how you want to attach the piece to your clasp assembly.

184pp, many images and diagrams Ebook, Kindle or Print

SO YOU WANT TO DO CRAFT SHOWS:16 Lessons I Learned Doing Craft Shows

In this book, I discuss 16 lessons I learned, Including How To (1) Find, Evaluate and Select Craft Shows Right for You, (2) Determine a Set of Realistic Goals, (3) Compute a Simple Break-Even Analysis, (4) Develop Your Applications and Apply in the Smartest Ways, (5) Understand How Much Inventory to Bring, (6) Set Up and Present Both Yourself and Your Wares, (7) Best Promote and Operate Your Craft Show Business before, during and after the show.

198pp, many images and diagrams, Ebook, Kindle or Print

BASICS OF BEAD STRINGING AND ATTACHING CLASPS

Learning Bead Stringing Is More Than
Putting Beads On A String And Tying On A Clasp

There is an art and skill to stringing beads. First, of course, is the selection of beads for a design, and the selection of the appropriate stringing material. Then is the selection of a clasp or closure, appropriate to the design and use of the piece.

You want your pieces to be appealing. You want them to wear well. You want someone to wear them or buy them. This means understanding the basic techniques, not only in terms of craft and art, but also with considerations about architecture, mechanics, and some sociology, anthropology and psychology.

In this book, I go into depth about: (1) Choosing stringing materials, and the pros and cons of each type, (2) Choosing clasps, and the pros and cons of different clasps, (3) All about the different jewelry findings and how you use them, (4) Architectural considerations and how to build these into your pieces, (5) How better designers use cable wires and crimp, as well as, use needle and thread to string beads, (6) How best to make stretchy bracelets, (7) How to make adjustable slip knots, coiled wire loops, and silk wraps, (8) How to finish off the ends of thicker cords or ropes, so that you can attach a clasp, (9) How to construct such projects as eyeglass leashes, mask chains, lariats, multi-strand pieces, twist multi-strand pieces, and memory wire bracelets, (10) How different teaching paradigms — craft vs. art vs. design — might influence the types of choices you make.

452 pp, many images, illustrations, diagrams, Ebook, Kindle or Print

___________________________________________

Your membership fee directly supports Warren Feld and other writers you read. You’ll also get full access to every story on Medium. CLICK To Find Out More.

--

--

Warren Feld
Warren Feld

Written by Warren Feld

Beading and jewelry making have been wonderful adventures, from custom work, production work, and teaching. *Design is about the ability to make smart choices.

No responses yet